Working languages:
Indonesian to English
English to Indonesian

snuzan

Bandung, Jawa Barat (Djawa Barat), Indonesia
Local time: 04:54 WIB (GMT+7)

Native in: Indonesian Native in Indonesian
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Account type Freelance translator and/or interpreter
Data security Created by Evelio Clavel-Rosales This person has a SecurePRO™ card. Because this person is not a ProZ.com Plus subscriber, to view his or her SecurePRO™ card you must be a ProZ.com Business member or Plus subscriber.
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Services Translation, Interpreting, Editing/proofreading, Software localization, Voiceover (dubbing), Training
Expertise
Specializes in:
Cooking / CulinaryComputers (general)
Cinema, Film, TV, DramaPoetry & Literature
Materials (Plastics, Ceramics, etc.)Art, Arts & Crafts, Painting
ArchitectureAdvertising / Public Relations
Rates

Portfolio Sample translations submitted: 1
Indonesian to English: Jakarta International Ceramic Biennale - Artists' Page
Source text - Indonesian
The works of Chinese artist Wan Li Ya (b.1963) offer many paradoxes, and there is far more here than meets the eye. Born in QingDao, China in 1960’s, Wan is a product of eastern thought, Zen principles, and Buddhist philosophies, and yet, his artworks exhibit many aspects founded in 20th century western art as he delights in creating experimental art by taking the familiar and looking at it in different ways.
His work 'One Thousand Kilometers of Landscape' was inspired by a 39-feet long Chinese hand scroll of ink and color on silk. Wan Li Ya draws upon the theme of this historic work in the creation of the artwork. Instead of the traditional scroll silk, he used white porcelain with blue imagery in the shapes of the bottles and containers for beverages, cosmetics and cleaners; household items that are now part of daily life in China. In doing so, he reflects upon the tension between tradition and the modernization of China.

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Graciela Olio's artistic practice is built from a poetics anchored in a cultural mixed race identity shaped by a Pre-Columbian, Hispanic-American and European immigratory past. Exceeding the anachronistic dichotomy between art and craft, she works on ceramics, breaking the barriers that oppose fine arts to popular arts. Olio gives account of this complex identity by gathering in it multiple cultural contributions, opening it to the most diverse significations, to the complexities of the present time, to the mixing of different cultures by inserting and combining western topics with referents in our territory so as to articulate the most disrespectful combinations between historical events, memories of our childhood, games, power, childhood-fantasy, popular kitsch and the bestiaries, all of which are infected with a touch of humour, irony and nostalgia.
The “After the Storm“ series try to account for the tragedy that meant a severe storm in Olio's regions. In the city of La Plata, where Olio lives, several storms in recent years have resulted in countless human, environmental and architectural tragedies. Reflection on the remains of the storm concerns her as an artist as she's interested in the transformation of matter produces a strong weather phenomenon on earth.
Translation - English
Karya seniman Tiongkok Wan Li Ya (kelahiran 1963) menawarkan banyak paradoks yang melampaui impresi kasat mata. Lahir di Qing Dao, Tiongkok pada era 1960, Wan adalah salah satu produk dari pemikiran timur, prinsip-prinsip Zen, serta filosofi Buddha, namun karyanya berangkat lebih jauh membawa aspek seni rupa barat abad 20 berkat ketertarikannya atas eksperimen mengubah paradigma dalam melihat aspek-aspek yang akrab baginya.
Seri karya 'One Thousand Kilometers of Landscape' terinspirasi dari karya tradisional gulungan sutra yang digambar sepanjang 39 kaki menggunakan tinta. Li Ya menarik tema objek historikal ini dalam karyanya pada medium porselen berbentuk botol dan wadah makanan, kosmetik, dan perangkat pembersih–objek yang lumrah hadir di kehidupan modern di Cina–yang dibubuhi guratan tinta biru. Melalui ide ini, ia mengangkat kondisi tarik menarik antara tradisi dan modernisasi yang tak terhindarkan di negaranya.

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Graciela Olio membangun praktik artistiknya dari identitasnya sebagai seorang ras campuran Pre-Kolumbia, Hispanik-Amerika, dan imigran Eropa. Ia memusatkan kekaryaannya pada medium keramik, memecah dikotomi antara seni dan kriya sekaligus pembatas antara seni tinggi dengan yang populer. Kerumitan identitas ini diangkat Olio melalui gabungan kultur yang beragam dengan kompleksitas era modern ini, dan mencampurkan topik kebaratan dengan referensi Hispanik-nya yang menciptakan keselarasan yang 'mengganggu' antara memori masa kecil, laju sejarah, fantasi, hingga kitsch populer dan objek-objeknya, yang diaduk dengan sentuhan humor, ironi, dan nostalgia.
Seri karya "After The Storm" menceritakan peristiwa badai besar di daerah tinggal Olio, La Plata, yang telah membawa tragedi pada penduduk, lingkungan, hingga infrastrukturnya. Olio berangkat dari refleksi sepeninggalan badai ini, ketika transformasi materi dapat menciptakan fenomena yang begitu destruktif.

Experience Years of experience: 12. Registered at ProZ.com: Mar 2015.
ProZ.com Certified PRO certificate(s) N/A
Credentials N/A
Memberships N/A
Software Adobe Acrobat, Adobe Illustrator, Adobe Photoshop, Indesign, Microsoft Excel, Microsoft Office Pro, Microsoft Word, Powerpoint
CV/Resume English (PDF)
Bio
I have a specific fondness towards writing and reading; ranging from narrated fiction to concise journalism. My field of study also inspire me in widening my viewpoint on the world, which I regularly refreshen with helps from crossmedia (magazines, movies, internet articles) references. I have worked on several commissioned projects regarding translation, graphic design, copywriting and editorial, as well as managing events that straightly relate to my expertise.
Keywords: indonesian, translator, social, cultural, fiction, game, science


Profile last updated
Mar 25, 2015



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